This page shows the analysis of themes found by Glenda Mae Greene in her cross case analysis of the three Caribean Canadians in her study of success.

THE AWESOME MOTHER

THEME JADE EBONI SILVER
Mother as nurturer When I was small,
it was just the two of
us. We did everything
together (89)
After the beatings
my face tear-stained
she packed my
breakfast and we
took the bus (97)
I always came back
to the solid touch of
her upstretched
palms (89)
Mother to the rescue I didn't want to live
in the residence hall
in college. She
moved house to the
university town (89)
You're better off
going to school
at church. There are
other Black children
going there (89)
All of a sudden
there was a knock
on the door. My
mother was there.
She had my gym
clothes (89)
Mother as teacher She is an example to
me that I could do
whatever I set my
mind to do (97)
She teaches me to
cook-the West
Indian dishes (89)
Always remember,
it's not just you that
people are seeing;
it's everybody that
is Black (97)
Mother as motivator She's always pushing
me to do good in
school. Get A's (89)
Look in the mirror.
see how ugly you are
(97)
I don't want you to
ever work hard like
I did (97)
Mother as therapist Wen yuh han' in de
tiga mout', rub he
head (97)
He won't be
marching down the
aisle. You will (97)
Mother as mirror
image
I am my mother's
daughter (97)
Becoming like my
mother us my
greatest fear (97)
We're becoming
just like them (97)
Gilding the pink
hibiscus
[By omission or
implicit comparison]
I covered up what
she really was like.
My mother has a
hard time controlling
her awful temper
(97)
In my family, when
you do something,
you pay the
consequences to the
fullest. You don't
get any special
treatment (97)



	Most of the stories discussed here are told in a positive light. The negative side,
though implicitly extant, is rarely verbalized.  No where is this more clearly demonstrated
than in this section. Almost any discussion about their mothers unveils a dichotomy, the
witch/goddess. The witch.goddess domain is marked by vivid understatements. At the
first interview Eboni used well crafted cover stories to emphasize an idealized picture of
her mother. Jade gilds her mother-goddess by omission. Silver uses conciliatory
explanations. Eboni's representative reminder, that it is difficult to speak about one's
mother without respect (June 97), contextualizes this analysis as we consider the mother's
roles in Table 1. Miles and Huberman (1984) made a strong case for creating data
displays to help analyze the data. These displays shown here "allow for a more refined
analysis and can lead to new displays and analyses" as we "eyeball" the data (p.82).



        The five storied roles of the mother are listed in Table 1 as the women-as-
daughters described them. Jade, who storied the almost-perfect mother guided us through
this display



        Jade and Silver are unequivocal in their description of the positive effect of
nurturing mothers. They story a nurturing climate in which they learn and thrive. Jade
stories an intense mother-daughter bond, exclusive to the outside world. "We had our
own little world," she recalls. Shades of matrophobia undergird Silver's story that she
shares with Eboni and me. Neither Silver or Jade mention a separation theme. Both Jade
and Silver refer to the unschooled brilliance of their mothers. They story the motivating
power of mothers who wanted more for their daughters than they had for themselves.
While maternal motivation had little to do with the practice of education, it did much to
facilitate the achievement of their educational goals. Both families changed locations to
attain the college education the mothers insisted upon. The women voice instances of
affirmation and adulation, which shaped the development of their will and moved them
toward positive self-esteem.

        Eboni, in contrast, found that need for more basic physiological needs-safety
and security-triggered her move away from her mother's clutches. She actively sought
and found women-othermothers-who fit her description of the archetypical 'Good
mother'. Despite it all, Eboni is resigned to the duty-centered reality of caring for her
biological mother when she gets older. "I know I'll have to take care of her. My brothers
aren't gonna do it."