#36 [July 1996] Spaziante cover art -- the castle and carved gates don't figure into the story, but who cares? Another masterpiece. Heart of Darkness (3 parts) Story: Ken Penders; Art: Art Mawhinney HOYOTOHO! No, Rotor hasn't tuned into Bayreuth to watch the Flight of the Valkyrie. What he DOES have is a "live" remote from the "Zone of Silence." Isn't that the same thing as "The Void"? After about 5 panels of explanation, some of the readers of this list still seem uncertain on this point. All I know is, it bears no resemblance to the Void featured in the TV ep of the same name. In any event, the fact that it isn't the Void is offered up by Rotor as a way of explaining why previous attempts to travel there and back again were so easy. But in a more important complication, there are serious power reading coming from Robotropolis. Sonic goes to investigate, and arrives to find Snively at the controls of some kind of beam generator which reminds me too much of the climax of "All Good Things...", the final ep of "Star Trek: The Next Generation" (now that Ken Penders has revealed himself to have worked on Star Trek comics I'm keeping my copy of the _Star Trek Encyclopedia_ close at hand to check for references, though the STE as a reference work suffers from flaws that range from annoying to unforgivable. But I digress...). Sonic arrives and takes the device out of commission, and Robotnik congratulates him on endangering all of Mobius. Cue the flashback for Sonic's (and our) benefit: Seems that when Robotnik took over eleven years ago, he wanted to use the Zone of Silence developed by his "mentor" Kodos as a sort of interdimensional concentration camp. Unfortunately, once he sent King Acorn there he realized that it was unstable and would absorb Mobius. Subjecting the thing to a steady stream from a photon cannon managed to keep it in check, but with the cannon destroyed by Sonic alternative measures have to be taken. Robotnik gives Sonic an "energy inhibitor" which bears a striking resemblance to a household bug bomb. He convinces Sonic to detonate it within the Zone; despite serious reservations, Sonic, Sally, Tails, and Antoine enter the Zone, which basically looks like Space, The Final Frontier(tm). There, they confront the dark rider flanked by some characters who look like they belong in a game of Doom. Sonic dispatches these bit players, but before the rider/knight/whatever can draw a bead on Sonic, Sally intervenes. In the struggle, she knocks off his helmet and reveals him to be...what the heck, someone of the list has already spilled the beans...King Acorn!!! Or a reasonable facsimile thereof. Actually, he's not that reasonable, for he gives Sally a quick jolt with his lance for her troubles. In response, Sonic detonates the bug bomb -- don't ask me what the practical results were because they're never spelled out. Rotor manages to drag the Mobians back through the portal before they overshoot it, and a shaken and subdued Sally is probably thinking that now she knows how Luke Skywalker must have felt at the end of "The Empire Strikes Back." To be continued, somewhere along the way. And to think it was only three issues ago that we were witnesses to some of the lamest excuses for storytelling ever, even for the medium of comic books. The improvement, both in terms of complexity and emotional impact, has been quantum. Major kudos for both artwork and story. So, does anyone besides me think that that WASN'T Sally's father wearing that armor? Not only did the Zone bear no resemblance to the Void, but in the two TV eps where Sally and her father were reunited ["Blast To The Past, Part 1" and "The Void"] Sally's father didn't fail to recognize her. That didn't happen this time, which makes it all just a little too unconvincing. I'm also haunted by Robotnik's aside on page 9 about Sonic doing his "dirty work" for him. It leaves me with the strong impression that Robotnik knew precisely what effect the bug bomb would have in the Zone. So the question remains: whom did Sonic destroy? Possible candidates: A. the real King Acorn B. Kodos as King Acorn C. a parallel King Acorn (cf. "Night of a Thousand Sonics") D. None of the above And judging from the effects of the bug bomb in the Zone, I feel pretty safe in saying that whoever it was was destroyed when it detonated. Which has major consequences from Sally's point of view: can she really feel close to the hedgehog who (she may believe) assassinated her father? I don't envy Ken Penders his job: this story's opened some major pitfalls and trap doors, and it's his burden to resolve matters plausibly (unlike the conclusion to "Growing Pains"). Stay tuned; you can bet I will! "A Sense of History: Part 3" Story: Mike Kanterovich and Ken Penders/Art: Ken Penders No wonder Ken P. has been waiting for this review! Let's recap the story to date: Dmitri has just used the "chaos siphon" to trash eleven of the 12 Chaos Emeralds that hold up the floating island. He has taken his brother and some of the leaders of echidna society prisoner. He has already directed the resident "mecha-nauts" to enslave the populace, and once the island is equipped with sails he plans to similarly conquer the rest of the planet. In the midst of this raving, however, it develops that his fortress Mt. Fate has been subverted from within: the foundation has been eroded by fire ants and the place starts collapsing. The imprisoned echidnas escape and Dmitri is buried beneath the rubble. The Magistrate gratuitously quotes from the Book of Proverbs and declares that Dmitri's end was as much a result of the society's trust in science resulting in hubris as it was Dmitri's own madness. This led to a certain overreaction as the echidnas destroyed their city and appointed a guardian over the last remaining emerald. Which, several generations later, turns out to be Knuckles. So what's this all have to do with the plot? (Remember the plot?) Knuckles suddenly starts putting it together: he remembers the words "Grand Conserve" from issue #31(!) and realizes that it refers to The Grand Conservatory, an underground warehouse where artifacts of echidna society were stored. He believes that this is where Archimedes (remember him?) is hiding out and where the missing Chaotix (remember them?) are being held. So, as Bill Cosby said in the course of one of his comedy routines: "I told you that story to tell you this one." And once more quoting his father (who was apparently named George Santayana) he reminds us of the plot and begins his segue to his miniseries (conveniently advertised on the facing page). WHEW! I know that this process took longer than anticipated, what with the addition of three 2-pagers over the course of three months, but Kanterovich & Penders came pretty darn close to losing the audience there. In any event, the ad for the miniseries pretty well telegraphs the plot based on what went before: Dmitri vs. Knuckles. BTW, I wouldn't make too much of the movie poster format. Sonic-Grams: Who was it that said "We buy the product so we can read about Sonic and Tails, not Scott and Paul." Oh, yeah, it was me...in my review of #29. Nice to know the Fredster is willing to listen; by keeping the Blue Blur front and center in the "office humor" section [drawn by Spaziante] he actually managed to come up with something funny! Senor Mendez limits himself to less than 2 column inches of self-introduction before going on to "what you really want to know: mainly Sonic the Hedgehog!" [By George, I think he's got it!] Topics: the launch of the Knuckles miniseries; a story titled "The Fall of Robotropolis" by DeCesare and Thomas (after his debut in "To Bot or Not To Bot" in #34); plus further developments on the King Acorn plot set up by "Heart of Darkness." Letters: Kim Wessels of Des Moines agrees with Tails that it's rough being treated like a kid. In answer to a barrage of questions, the person writing the replies pegs the birthdates of Sonic, Tails, and Knuckles to the release dates of the Sonic 1, 2 and 3 games respectively. However, he punts the question as to whether the TV series is still on the air -- this reply must have been locked in months ago, before the USA Network picked up Sonic's option. And in a major concession to the comic's popularity, there's a list of people who sent in letters and fan art that didn't get published but who still might love seeing their names in print. Fred, I like your style! Spaziante cover art for #37 shows Sonic holding a (lifeless?) Sally in his arms. Is it possible for Spaziante NOT to do a cool cover that involves Sally? Looks like the train is definitely back on the rails! Double-bag this puppy!